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DRP Events Videos
 

 

 

  • Darfur: A Hell on Earth, the making
     

 

Individuals of a younger generation unite and organize an event to expose the issue of the Darfur Genocide through new forms of art. These young students of Mass Art contribute their artistic skills and involve themselves in the visual movement against the Darfur Genocide. Together, Khalid Kodi and the students create an artistic representation of the desert-like and burned down village of Darfur, to again reflect the reality of the concurrent genocide.

 

  • Darfur: A Hell on Earth
     

 

This is a short film showing the effects of fire and the victims of a burned village.

 

  • Saasha A. Mukerjea, Opening Darfur Hell on Earth
     

 

 

  • Veronique-Anne Epiter Opening Darfur Hell On Earth
     

 

An event was organized to showcase the impact of expression through art and performance against the Darfur Genocide. Saasha A. Mukerjea performs on a powerful piece on the piano and Veronique-Anne Epiter sings a song to express the depth of emotion involved in the genocide.

 

  • Tents of Mass Hope at MassArt and Worcester African Cultural
     

 

Tents of Hope held an event to unite and involve young adolescents and kids in the visual movement against the Darfur Genocide.

Tents of Hope is a National Project in cooperation with the United Church of Christ and Grassroots of Dear of Sudan since 2004. This one-year project national attained the collective action of local communities, in which all of their tents converged in Washington D.C the following year. The event emphasizes how such actions put pressure on the government to take action against the Darfur Genocide.

 

  • Reflections in Exile
     

  • Part 1
     

 

 

  • Part 2
     

 

 

  • Part 3
     

 

At the Museum of the National Center of Afro-American Artists and the South Shore Art Center, a group of individuals discuss the visual art of five artists who are responding to the Darfur Genocide. The role of art in social movements has helped expose the injustices mainly effecting Africans. Specifically, the issues of migration and the perpetual threat of guns are expressed through African art and history. The event reflects how art can be considered as propaganda and interrogators of contemporary issues, specifically against the Darfur Genocide.

 
 

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